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Represented: Klosterfelde Gallery, Berlin; Ingleby Gallery, Edinburgh
SELECTED
INDIVIDUAL EXHIBITIONS
"Kay Rosen: Black and White and Read All Over," Barbara Krakow Gallery, Boston, 2010
"Kay Rosen: You and Your Landscapes!" Galerie Klosterfelde, Berlin,
2009
“Kay Rosen: Huen,” Ingleby Gallery, Edinburgh, Scotland, 2008
“Kay Rosen: Scareful!” Yvon Lambert Gallery, New York, 2008
"Kay Rosen: Alone and Together," Yvon Lambert Gallery, Paris, 2008-2009
"No Noose Is Good Noose," Alexander Gray Associates, New York, 2008
"Kay Rosen: Editions and Multiples," Helga Maria Klosterfelde Edition,
Berlin, 2007
"Kay Rosen: Wall Paintings and Drawings 2002-2006," Yvon Lambert Gallery,
New York, 2006
Gray Kapernekas Gallery, New York, 2005
"Kay Rosen: (No) Comment," Galerie Klosterfelde, Berlin, 2005
"Kay Rosen: HALFULL, Recent Wall Paintings and Collages," University
Art Museum, University of California at Santa Barbara, 2004
"Kay Rosen: Big Talk," Dunedin Public Art Gallery, New Zealand, 2004
"New Word Order: Kay Rosen," Second Street Gallery, Charlottesville,
Virginia, 2004
"Kay Rosen," The Suburban, Oak Park, Illinois, 2003-4
"Kay Rosen: Rooms," Galerie Friedrich, Basel, 2003
"Kay Rosen: Collages 1999-2002," The Drawing Center, New York, 2002
"Rooms," Paul Morris Gallery, New York, 2001
"Kay Rosen: Up and Down," Aspen Art Museum, 2001
Paul Morris Gallery, New York, 2000
Ten in One Gallery, New York, 2000
"Kay Rosen: Lifeli[k]e," Museum of Contemporary Art (MOCA) and Otis
College of Art and Design, Los Angeles, 25-year survey); curated by Cornelia
H. Butler and Terry R. Myers, 1998-99
"Kay Rosen: Girl Talk," Ten in One Gallery, Chicago, 1998
"ABC (At Beaver College), Beaver College Art Gallery (now Arcadia University),
Philadelphia, in collaboration with Billboard Project curated by Stuart Horodner,
Bucknell University, Lewisburg, Pennsylvania, 1998
"Kay Rosen: Short Stories/Tall Tales," M.I.T. List Visual Arts Center,
Cambridge, Massachusetts, 1997
Galerie Michael Cosar, Dusseldorf, Germany, 1997
"Short Stories," Helga Maria Klosterfelde, Hamburg, Germany, 1996
Art: Concept, Nice (now Paris), 1996
Unlimited Contemporary Art, Athens, Greece, 1996
Galerie Erika + Otto Friedrich, Bern, Switzerland, 1995
Paul Morris Gallery, New York, 1995
Galeria Massimo de Carlo, Milan, 1994
"Kay Rosen: Home On the Range," Museum of Contemporary Art, Chicago,
1994
Richard Telles Fine Art, Los Angeles, 1994
"Kay Rosen: Back Home In Indiana," Indianapolis Museum of Art, 1994
Victoria Miro Gallery, London, 1993
Feature, New York, 1993
Rhona Hoffman Gallery, Chicago, 1992
Laura Carpenter Gallery, Sante FE, 1992
Feature, New York, 1992
Shoshona Wayne Gallery, Santa Monica, 1991
Feature, New York, 1991
Feature, New York, 1990
Victoria Miro Gallery, London, 1990
Witte de With (Center for Contemporary Art), Rotterdam, The Netherlands, 1990
Feature, New York, 1989
Feature, New York, 1988
Feature, Chicago, 1988
Feature, Chicago, 1987
"Kay Rosen: Lines On Lines," Bertha Urdang Gallery, New York, 1983
"Kay Rosen- Stair Walking: Notations/Diagrams, " Bertha Urdang Gallery,
New York, 1981
"Kay Rosen: Photographic Performances," Franklin Furnace, New York,
1980
"Kay Rosen: Photo-texts and Performances," Bertha Urdang Gallery,
New York, 1979
SELECTED
GROUP EXHIBITIONS
2010
“Third Thoughts,” CCA Andratx, Mallorca, Spain, curated by Barry Schwabsky and Carol Szymanski
“We Between the Lines,” Morgan Lehman Gallery, New York City, curated by Liz Parks
“Che Cosa Sono Le Nuvole?” (The Enea Righi Collection), Museion, Bolzano, Italy, curated by Eric Mezil and Letizia Ragaglia
“A to B,” MKG127, Toronto, Canada, curated by Micah Lexier
2009
"Learning Modern," Sullivan Galleries, The School of the Art Institute of Chicago, curated by Mary Jane Jacob
"Just What Are They Saying?" Jonathon Ferrara Gallery, New Orleans, curated by Beth Rudin de Woody
"Rich Text," Fleisher-Ollman Gallery, Philadelphia
"Broken Thorn, Sweet Blackberry," Sikkema Jenkins Gallery, New York, curated by Sima Familant
2008
"Archeology of Longing," Kadist Art Foundation, Paris, curated by Sofia Hernandez Chong Cuy
"Political Corect," Blondeau Fine Art Services, Geneva, Switzerland
"Idiolects," Brown Gallery, London, curated by Lumi Tan
"In the Beginning: Artists Respond to Genesis", Contemporary
Jewish Museum, Inaugural Exhibition, San Francisco
"Always There," Max Hetzler Gallery, Berlin, curated by Arturo Herrera
"Prospect .1 New Orleans", curated by Dan
Cameron
2007
"La parola nell'arte," Mart–Museo di Arte Moderna e
Contemporanea di Trento e Rovereto, curated by Julia Trolp
"Words Fail Me," Museum of Contemporary Art Detroit (MOCAD), curated
by Matthew Higgs
"Emerging Wor(l)ds," Billboard Projects for Tina B.– The Prague
Contemporary Art Festival 2007, Prague, Czech Republic, curated by Grey Zone
(curator collective)
"Sign Language," Des Moines Art Center Downtown
"Been Down So Long It Looks Like Up To Me," Presentation
House Gallery, Vancouver, Canada, curated by Mark Soo and Reid Shier
"numerica," Palazzo delle Papesse - Centro Arte Contemporanea, Siena,
curated by Lorenzo Fusi and Marco Pierini
2006
"Gaylen Gerber", Foundation Musee d'Art Moderne Grand-Duc Jean, Luxembourg
“40th Anniversary Exhibition,” Yvon Lambert Gallery, Paris
“No Lemons, No Melon,” David Krut Projects, New York, Curated
by Sheila Pepe and Carrie Moyer
"Under the Skin: Tattoos and American Culture," Asheville
Art Museum, North Carolina, curated by Ron Platt
2005
"Looking at Words: The Formal Presence of Text in Modern and Contemporary
Works on Paper," Andrea Rosen Gallery, New York
"General Ideas," CCA Wattis Institute for Contemporary Arts, San Francisco,
curated by Matthew Higgs
"A Thousand Words," Inman Gallery, Houston
“Navy Pierwalk 2005,” Chicago, curated by Peter Schjeldahl
“Very Early Pictures,” Luckman Gallery at California State University,
Los Angeles; Arcadia University Art Gallery, Philadelphia, curated by Dick Torchia
"How To Read" as part of "Collection Remixed," The Bronx
Museum of the Arts, New York, curated by Sergio Bessa
"The Vinyl Project," Cork 2005, Cork, Ireland, initiated and coordinated
by Coracle
"Situation Comedy," travelling exhibition curated by Dominic Molon
and Michael Rooks for Independent Curators Incorporated
2004
"Between Letters and Abstraction," 3°W Gallery, Wordsworth Trust,
Grasmere, Great Britain, curated by Daniel Sturgis
"Unclosed Stories," Unlimited Contemporary, Athens, Greece
"Disturbing the Peace," Danese Gallery, New York
"The Center Is Anywhere," Museum of Contemporary Art, Chicago, curated
by Lynne Warren
2003
"Dark Companion," Unlimited Contemporary Art, Athens, Greece
"Back in Black," Cohan, Leslie, & Brown Gallery, New York
"The Greatest Album Covers That Never Were," Track 16 Gallery, Santa
Monica, curated by Michael Ochs and Craig Butler
2002
"Art Basel Miami Beach," Artists Projects, curated by James Rondeau
"Interstate" (Fehrer, Moffet, Rosen, Villareal), Texas Fine Arts Association,
Austin, curated by Alex Gray
"Between Language and Form," Yale University Art Gallery, New Haven,
Connecticut, curated by Jennifer Gross
"Henrik Olesen, Gabriel Orozco, Kay Rosen, Arbeiten auf Papier," Galerie
Helga Maria Klosterfelde, Hamburg, Germany
"Words In Deeds," Portland Institute of Contemporary Art(PICA), Oregon,
curated by Stuart Horodner
2001
"The Game Show," Massachusetts Museum of Comtemporary Art,"
North Adams
"Extra-Art: A Survey of Artists' Ephemera 1960-1999," California College
of Art and Crafts, San Francisco, curated by Steven Leiber, Travel to Minnetonka
Art Center, Minneapolis & ICA, London, 2002-2003
"Textual Operations," White Box, New York, a lecture series curated
by Sergio Bessa
"Drawing On Language," Spaces, Cleveland, curated by Stephan Jost
and Carter Foster
"Pictures, Patents, Monkeys, and More„On Collecting,"
curated by Ingrid Schaffner for Independent Curators Inc.
2000
"Biennial Exhibition 2000," Whitney Museum of American Art,
New York
"Errant Gestures," Apex Gallery, New York, curated by Susette Min
"Words-Objects-Acts," Museum of the City of Skopje, Macedonia, curated
by Suzana Milevska
"Art On Paper" Weatherspoon Art Gallery, Greensboro, North Carolina
1999
"Billboard: Art On the Road," Inaugural exhibition @ Massachusetts
Museum of Contemporary Art (Mass MoCa), North Adams, organized by Joseph Thompson,
Laura Heon
"Art In the City III," ("Kunst in der Stadt III"), with
Gaylen Gerber, Kunsthaus Bregenz, Austria, curated by Dr. Rudolph Sagmeister
"Word," Museum of Contemporary Art, Sydney, Australia, curated by
Linda Michael
"Points of Departure: Art On the Line," Main Line train stations site-specific
projects, Philadelphia, curated by Julie Courtney
"The Sea, The Sea," Murray Guy, New York
"Wallpaintings," Galerie Helga Maria Klosterfelde, Hamburg, Germany
1998
"In the Beginning," Murray Guy, New York
"Video Library," David Zwirner Gallery, New York
"A To Z: Language To Be Looked At and/ or Things To Be Read," The
Approach, London, curated by Matthew Higgs
"Editions: General Idea, Christian Jankowski, Kay Rosen," Helga Maria
Klosterfelde, Hamburg, Germany
"Pierre Molinier, Kay Rosen, Kara Walker," Wooster Gardens (Brent
Sikkima), New York
1997
"Critical Images: Conceptual Works from the 1960s to the Present,"
Leslie Tonkonow Gallery, New York
"Point Mort," Art Concept, Paris, curated by Olivier Antoine
1996
"Art In Chicago: 1945-1995," Museum of Contemporary Art,
Chicago
"Small Scale," Joseph Helman Gallery, New York
"Varietes," Le Capitou: Art Contemporain Frejus, France
"Thinking Print: Prints and Illustrated Books 1980-1995," Museum of
Modern Art, New York, curated by Deborah Wye
"50x50x50," Answering Machines at various sites, London, curated by
David Goldenberg and John Roberts
"Second Sight: Modern Printmaking in Chicago," Block Gallery, Northwestern
University, Evanston, Illinois, curated by James Yood
1995
"Temporarily Possessed: The Semi-Permanent Collection," The
New Museum of Contemporary Art, New York
"Word for Word," Beaver College Art Gallery, Glenside, Pennsylvania,
curated by Paula Marincola
"Five Words or Less," Museum of Modern Art, Melbourne, Australia,
curated by Christopher Van der Craats
"On Target," Horodner Romley Gallery, New York
"Altered States," Forum, St. Louis, curated by Robert Nickas and Jeannie
Greenberg
"Pittura-Immedia: Painting in the 90's," Neue Galerie and Kunstler
Haus, Graz, Austria, curated by Peter Weibel
"Zimmerdenkmaler," (Room Movements), Various residential and commercial
sites in Bochum, Germany, curated and organized by Rafael von Uslar
1994
"Korrespondenzen/Correspondences," Berlinische Galerie, Martin Gropius-Bau,
Berlin and Chicago Cultural Center, Curated by Judith Kirshner and Gregory Knight
"Synesthesia: Sound and Vision In Contemporary Art," San Antonio Museum
of Art, curated by Don Bacigalupi
"The Use of Pleasure," San Francisco, curated by Robert Nickas
1993
"Beyond Loss: Art in the Era of AIDS," Washington Project
for the Arts, Washington D.C., curated by Don Russell
"Post-Dialectical Index," Piazza Costanza, Trieste, Italy; La Tuatta
Studio, Milan, Italy; Horodner Romley Gallery, New York, curated by Robert Morgan
"Substitute Teachers," Sadie Bronfman Cultural Center, Montreal, curated
by Stuart Horodner
"Legend in My Livingroom," Rhona Hoffman Gallery, Chcago, curated
by Terry R. Myers 1992
"Small Talk," P.S.1 and Postmasters Gallery, New York, curated by
Marilyn Minter
"Painting Culture," University of California Irvine, curated by Deborah
Kass
"Why Paint?," Renaissance Gallery at the University of Chicago
1991
"Manum de Tabula," Shedhalle, Zurich, Switzerland, 1991, curated by Harm Lux
"At the End of the Day," Randy Alexander Gallery, New York,
curated by Michael Jenkins
"Candy Ass Carnival (When Good Things Happen to Loozers)," Stux Gallery,
New York
"Just What Is It That Makes Today's Homes So Different, So Appealing?"
Hyde Collection, Great Falls, New York, curated by Dan Cameron
"Awards in the Visual Arts X," Hirshhorn Museum, Washington D.C.;
Albuquerque Museum; Toledo Museum, Ohio
"A New Low," Claudio Botello Gallery, Turin, Italy, curated by Tricia
Collins and Richard Milazzo
"Something Pithier and More Psychological," Simon Watson Gallery,
New York, and Bloom Gallery, Los Angeles
"Artists in Words and #s," Wright State University Museum of Contemporary
Art, Dayton, Ohio, curated by Barry Rosenberg
1990
"Word As Image: American Art 1960-1990," Milwaukee Art Museum; Oklahoma
City Art Museum; Contemporary Arts Museum, Houston
"Art Against AIDS- On the Road," Chicago (50 bus tailgate posters)
"Broken Lines," Victoria Miro Gallery, London
"Your Message Here," (Billboard Exhibition), Randolph Street Gallery,
Chicago, curated by Randolph Street Gallery and Group Material
"The Clinic," Simon Watson Gallery, New York, curated by Steven Evans
and Simon Watson
1989
"AIDS: A Time Line 1979-1990," Matrix Program at University
Museum, University of California, Berkeley; Wadsworth Atheneum, Hartford, Connecticut;
1991 Whitney Biennial
"Problems With Reading Rereading," Rhona Hoffman Gallery, Chicago,
curated by Hirsch Perlman and Jeanne Dunning
"The Center Show," The Lesbian & Gay Community Services Center,
New York, curated by Rick Barnett & Barbara Sahlman
1988
"From Right to Left," Churchman Fehsenfeld Gallery, Indianapolis,
curated by Christopher Skoates
"Contention," New Langton Arts, San Francisco, curated by Nayland
Blake
"Brave and Cruel," (Hudson, Lafreniere, Rosen), Randolph Street Gallery,
Chicago
"Text Does Not Explain," Stux Gallery, Boston, curated by Bill Arning
"The Language of Form, The Form of Language," Rosa Esman Gallery,
New York
"Romantic Distance," Jeffrey Neal Gallery, New York, curated by Bill
Arning
1987
"Wet Paint," Robbin Lockett Gallery, Chicago
Summer Group Show, American Fine Arts Gallery, New York
"Non-Spiritual In Art: Abstract Painting From 1985-?," Chicago, curated
by Hudson
1986
"Cryptic Languages," Washington Project for the Arts, Washington
D.C.
"Spiritual America," CEPA Gallery, Buffalo, New York, curated by Tricia
Collins/Richard Milazzo
"Promises, Promises," Feature, Chicago and C.A.G.E., Cincinnati, curated
by Hudson
1984
"Indiana Influence," Fort Wayne Museum of Art, Inaugural
Exhibition, Indiana, curated by Peter Frank
1982
"Artists Tribute to Bertha Urdang," Israel Museum, Jerusalem
"Tracking, Tracing, Marking, Pacing," Pratt Manhattan Gallery, New
York; Sherman Gallery, Ohio State University; Anderson Gallery, University of
Richmond; Washington Project for the Arts, Washington D.C., curated by Ellen
Schwartz
1981
"Bookworks: New Approaches to Artists Books," Franklin Furnace,
New York, curated by Howard Goldstein (traveled)
"Ikons/Logos: Word As Image," Alternative Museum, New York, curated
by Robert H. Browning
1980
"New Dimensions: Time," Museum of Contemporary Art, Chicago,
curated by Pauline Saliga
1979
"Midway Between Comedy and Art," Midway Studios, University of Chicago, curated by Joanne Carson
1978
"Daley's Tomb," N.A.M.E. Gallery, Chicago, IL, curated by Jerry Saltz
1977
"All Over the Place," Moming Dance Center, Chicago, IL, curated by Eileen Shukofsk
SELECTED
PUBLISHED PROJECTS
KAY ROSEN AKAK, published by Regency Arts press, New York, 2009
ART AND TEXT, published by Black Dog Publishing, London, UK, 2009
NAU SEA SEA SICK, (Six short stories selected and illustrated by Kay Rosen), published by Four Corners Books, London, UK, 2009
COLLECT THIS CATALOGUE, Phillips de Pury & Company, New York, November 2008, pp. 33-34
"Introduction to Kay's Talk at White Box" and "Prints of Words," THE IMPORTANCE OF BEING ICELAND: TRAVEL ESSAYS IN ART by Eileen Myles, published by Semiotext, 2009, pp. 98-99 and 195-106
TATE ETC/ TATE MICRO, " Kay Rosen on Yves Klein/ IKB 79," Issue 14, Autumn 2008
KAYROSEN: ABC, A Primer, ESOPUS 9, Fall 2007
KAYSAYS: Essays and Interviews by Kay Rosen, 2007, published by Sara Ranchouse
Publications, in conjunction with KAY ROSEN, an ubu.com project. (Forward by Kenneth Goldsmith, Introduction by Eileen Myles)
TOP TEN, Artforum, April, 2007, p.134
20 QUESTIONS, Matthew Higgs, Catalogue Interview, "Kay Rosen: Wall Paintings and Drawings 2002-2006," Yvon Lambert Gallery, New York, 2006
BLUE MONDAY, Web Page Project, Bronx Museum of Art, 2006
ARTUS, "The Center is a Concept," Issue 5/6, pp.32-35, January-February,
2005
LANDFALL (Journal of Arts and Letters, University of Otago Press, Dunedin, New
Zealand), Issue 207 "[SIC]", cover + 12-page portfolio, May, 2004
BLACK BOOK MAGAZINE, "Fact Annihilates Fantasy," pp.66-67, New York,
Winter, 2001-2002
BIENNIAL VOICES, Whitney Museum of American Art, 2000 Biennial, Audio CD (Kay
Rosen, "Banner Yet Wave," track 6)
PUBLIC + ARTISTS PROGRAM, The Museum of Contemporary Art, Los Angeles, 1999
(CD Audiotour written and produced by artist for "Kay Rosen: Lifeli[k]e"
SURPLUS, a screensaver project by Camel Work In Progress, a Camel Cultural Initiative,
1998
SCHOOL OF FISH (cover of book of poetry by Eileen Myles), Black Sparrow Press,
Santa Rosa, California, 1997
PERMANENT FOOD, published by Maurizio Cattelan and Dominique Gonzales-Foerster,
#2, 1996
DU Magazine (8-page image/text project), Zurich, Switzerland, N0. 11, November, 1993
THE PROGRESSIVE CORPORATION ANNUAL REPORT, Mayfield Heights, Ohio, 1991
BOMB, New York, #36, Summer, 1992, p.97
DEAR WORLD, published by Nayland Blake and Camille Roy, San Francisco, 1991,
p.72
DU Magazine, Zurich, Switzerland, No.6, June, 1991, pp.58-61
ART IN AMERICA, " AIDS: A Time Line," Group Material Project, Dec.,
1990, pp.162-163
LITTLE CRITIC PAMPHLET 3: Kay Rosen, Paintings 1990, (artist book/catalog),
Victoria Miro Gallery, London, Sept., 1990
FILE MEGAZINE, published by Art Metropole, Edited by General Idea, #29, 1989
REALLIFE, published by Thomas Lawson and Susan Morgan, New York, #15, Winter,
1986, pp. 20-23
HONORS
Anonymous Was a Woman Foundation Grant, 2009
National Endowment for the Arts Visual Arts Grant, 1995
Award in the Visual Arts 10 Fellowship, 1990
National Endowment for the Arts Visual Arts Grant, 1989
National Endowment fot the Arts Visual Arts Grant, 1987
SELECTED BIBLIOGRAPHY
Periodicals
Joshua Decter, "Kay Rosen, Yvon Lambert," Artforum, Issue XLVII, No. 6, Feb. 2009, page 188-189
Emily Verla Bovino, "Paris Critics' Picks: Kay Rosen, Koo Jeong-A at Galerie Yvon Lambert, Artforum.com, January, 2009
Joshua Decter, "Kay Rosen, Yvon Lambert," Artforum, Issue XLVII, No. 6, Feb. 2009, page 188-189
Karen Rosenberg, Review - "Kay Rosen: Yvon Lambert and Alexander Gray Associates," The New York Times, December 5, 2008, C28
Gregory Montreuil, Review - "Kay Rosen: Word Play," Gay City News, December 25, 2008
Sarah Lowndes, Review -"Kay Rosen: Ingleby Gallery," Frieze, October, 2008
James Clegg, Review - "Kay Rosen: Ingleby Gallery," Art Monthly, October, 2008, No, 320
Matt Keegan, "The Urge In Surge: KayRosen and Shannon Ebner want to have
a word with you," Art On Paper Magazine, July/August 2007, Vol. 11 No.
6, pp. 24-25
David Frankel, Review: "Kay Rosen-Yvon Lambert," Artforum, January,
2007, p. 250
Roberta Smith, Art in Review: "Kay Rosen: Wall Paintings and drawings 2002-2006,"
The New York Times, Friday, October 13, 2006, p.B32
Matthew Higgs, Top Ten List, Artforum, December, 2005, pp. 258-259
Brian Sholis, Review: "Kay Rosen - Gray Kapernekas Gallery," New York,
Artforum, September, 2005, p.307
Ken Johnson, Extended Listing: "Kay Rosen..." The New York Times, Friday, May
10, 2005, p.B30
Paul Ryan, Review: "Kay Rosen," Art Papers, September/October 2004,
p.46
Alan G. Artner, Review: "Kay Rosen finds excellence in found objects,"
Chicago Tribune, January 16, 2004, Section 7, p.19
David Colman, "Sculpture, Improved by a Martini," The New York Times,
September 7, 2003, section 9, p.11
Nancy Princenthal, Review: "Kay Rosen at the Drawing Room," Art in
America, April, 2003, p.141
Frances Richard, "New York Critics' Picks: Kay Rosen Collages 1999-2000,"
artforum.com, October, 2002
Ken Johnson, Review: "Kay Rosen: Ten In One Gallery and Paul Morris Gallery,"
The New York Times, Friday, April 7, 2000, p.B38
Eileen Myles, "True to Type," Art In America, September, 1999, Vol.
87, No.9, pp.110-115
Jacqueline Cooper, Extended Review, "Kay Rosen: Lifeli[k]e," New Art
Examiner, April, 1999, Vol. 26, #7, p.43
Frank - Alexander Hettig, Review: "Kay Rosen: Lifeli[k]e," Kunstforum,
March/April, 1999, pp.408-409
Claudine Ise, Review, "Reading Between Much More Than Just the Lines in
Lifeli[k]e," Los Angeles Times, Friday, January 15, 1999
Peter Frank, Review, "Dreaming Out Loud: El, Ray 'n' Kay in L.A.,"
LA Weekly, January 15-21, 1999, p.49
Alan Artner," Chicago's Finest: 23 People Who Made Significant Contributions
to the Arts in 1998/ Artist As Wordsmith," Chicago Tribune, Sunday, December
27, 1998, section 7, pp.1,4,6,9
Tim Porges," Kay Rosen: Lifeli[k]e," The Contemporary: The Museum
of Contemporary Art Los Angeles, Winter, 1999, pp.4-5
Kathryn Hixson, "Speech! An Interview with Kay Rosen," New Art Examiner,
November, 1998, volume 26, #3, pp.38-43 And cover
Alan Artner, Review, "Kay Rosen at Ten in One Gallery," Chicago Tribune,
October 23, 1998, section 7, p.66
Miriam Seidel, Review, "Kay Rosen at Beaver College Art Gallery,"
Art in America, October, 1998, pp.141-143
Katerina Gregos, Review, "Kay Rosen: Unlimited, Athens, Greece," Zing
Magazine, Vol. 2, Winter, 1998, p.157
H.N.Jocks, Review, "Kay Rosen: Summoning Lust for Lettering," West
deutschZeitung (Dusseldorf), October 18, 1997
Tim Norris, Review, "Kay Rosen-M.I.T. List Visual Arts Center," New
Art Examiner, September, 1997, p.61
Catherine Macchi, Review: "Kay Rosen: Art Concept," BlocNotes (Paris),
No.14 (January-February, 1997), p.127
Katerina Gregos, Review: "Kay Rosen: Unlimited Gallery," Art Net (Athens),
No. 4, Summer, 1997, p.72
Von Ralf Poerschke, Review: "Vom Mangel der Sprache-Short Stories: Kay
Rosen in der Galerie Klosterfelde," Hamburger Rundschau, September 19,
1996, No. 39
Elizabeth Gerber, Review: "Bern:Kay Rosen in der Galerie Erika+Otto Freidrich,"
Kunst-Bulleetin, No 7/8, Jul./Aug., 1995, p.36
Graeme Reid, "The Language of Art," Arts Indiana, March, 1995, Vol.17,
No. 2, p.30
Holland Cotter, Review: "Kay Rosen: Morris Healy Gallery," New York
Times, April 21, 1995, p.C19
Susan Kandel, Review: "Wonderful Tinkering By Rosen," Los Angeles
Times, October 28, 1994, p.F23
Tim Porges, "Kay Rosen-Museum of Contemporary Art," New Art Examiner,
#22, December, 1994, p.39
Sharon L. Calhoun, Review: "Kay Rosen-Back Home In Indiana/Indianapolis
Musuem of Art," Dialogue, November/December, 1994, p.25
Terry R. Myers, "Painting Camp," Flash Art, November/December, 1994,
Vol. 27, No. 179. pp.73-76
Terry R. Myers, "Bloc: Kay Rosen," BlocNotes (Paris), #5, January,
1994, pp. 68-69
Rhonda Lieberman, "Recent Painting by a Jewish Woman in Indiana,"
Art+Text, #46, Sept., 1993, pp.54-59
Eileen Myles, "Prints of Words," Print Collectors Newsletter, September/October,
1993, pp.132-135
Katherine Hixson, Review: "Kay Rosen: Rhona Hoffman Gallery," Flash
Art, #168, Jan-Feb, 1993, p.94
Alan Artner, Review: "Kay Rosen-Rhona Hoffman Gallery," Chicago Tribune,
November 6, 1992, Sec. 7, p.38
Mark Van De Walle, Review: "Kay Rosen-Laura Carpenter Gallery," THE
Magazine (Santa Fe), October, 1992, p.17
Rhonda Lieberman, Review, Arts Magazine, April, 1992, p.75
Catherine Grout, Review: "Manum de Tabula: Shedhalle, Zurich," Arte
Factum (Belgium), #42, Feb.-Mar., 1992. p.48
Susan Kandel, Review: "Kay Rosen, Shoshana Wayne Gallery," Los Angeles
Times, Dec. 13, 1991, p.24
Kathryn Hixson, Review: "Kay Rosen, Insam-Gleicher Gallery," Arts
Magazine, #65, May, 1991, p.106
John Brunetti, Review: "Kay Rosen, Insam-Gleicher Gallery," New Art
Examiner, #18, May, 1991, p.44
Alan Artner, Review: "Kay Rosen, Insam-Gleicher," Chicago Tribune,
March 1, 1991, sec. 7, p.38
Liam Gillick, Review: "Kay Rosen, Victoria Miro Gallery," Artscribe,
#85, Jan.-Feb., 1991, p.76
Judith Russi Kirshner, "Read, Read, Rosens," Artforum, #29, Dec.,
1990, pp.91-95 + cover
Mark Thompson, Review: "Kay Rosen, Ed Ruscha," Art Monthly (London),
#141, Nov., 1990, pp. 22-23
Stuart Morgan, Review: "Kay Rosen, Victoria Miro Gallery," Time Out
(London), Sept. 26- Oct. 3, 1990, p.57
Rob Wittig, Review: "Kay Rosen, Feature," Art In America, #77, Jan.
1989, p.157
Buzz Spector, Review: "Kay Rosen, Feature," Artforum, #26, May, 1988,
p.154
Judith A. Hoffberg, Review: "Lines On Lines by Kay Rosen," Umbrella,
#6, March, 1983, p.50
Vivian Raynor, "Kay Rosen/Kay Walkingstick, Bertha Urdang Gallery,"
The New York Times, Friday, June 19, 1981, p.C20
Holland Cotter, Review: "Kay Rosen, Bertha Urdang Gallery," New York
Arts Journal, Feb., 1979
SELECTED
COLLECTIONS
MCA Chicago
Art Institute of Chicago
Indianapolis Museum of Art
Milwaukee Art Museum
Museum of Contemporary Art, Los Angeles
Museum of Modern Art, New York City
New Museum of Contemporary Art, New York City
Norton Family Collection
Progressive Corporation, Cleveland, Ohio
Re Rebaudengo Collection, Turin, Italy
Whitney Museum of American Art, New York City