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(Click on a thumbnail to enlarge)
Divisibility," 1987/2009, Learning Modern, Sullivan Galleries, The School of the Art Institute of Chicago
"Intersection," 2009, Klosterfelde, Berlin (room 1)
"Intersection," 2009, Klosterfelde, Berlin (room 2)
"Removal From Office," 2008, Yvon Lambert Gallery, New
York
"Justified," 2008, Yvon Lambert Gallery, New York
"Seascape," 2008, Ingleby Gallery, Edinburgh, Scotland
"063" (front and back), In the Beginning: Artists Respond to Genesis, 2008, Contemporary Jewish Museum, San
Francisco, photo: Sibila Savage.
"Read Lips," 1985/2007, Yvon Lambert Gallery, Paris
"New Orleans 2005," 2008, billboard, Prospect 1 Biennnial, New
Orleans
"New Orleans 2005," 11'8" x 27'7" (dimensions variable),Yvon
Lambert Gallery, New York, 2006
"I Wish I Knew My Neighbor Better," each panel 11'8"x 20'
(dimensions variable), Yvon Lambert Gallery, New York, 2006
"55x2," latex paint on concrete walkway, Pierwalk, Chicago, 2005;
Detail
"Hello Again," Spertus Museum, Chicago, 2006
"Never Odd Or Even," Permanent Installation, Indianapolis Museum
of Art, 2005; Detail.
Wall
Paintings: "Phantom Limb," 1993/2006, Yvon Lambert Gallery,
Paris
"Blurred," Klosterfelde, Berlin, 2005;
"Pendulum," Gray Kapernekas Gallery, New York City,
2005
Wall Paintings: "Halfull," "Yellowish/Reddish," "Blurred,"
Kay Rosen: Halfull,
University Art Museum, University of California, Santa Barbara,
2004. Photos: Tony Mastres
"Go Miami/Amigo Miami," banner, Art Basel Miami Beach,
2002
"Mm," Aspen Art Museum, fom Kay Rosen: Up and Down,
2001
"Sight and Sound of Music," Game Show, Massachusetts
Museum of Contemporary Art (MASS MOCA), 2001
"Star-Spangled," Whitney Biennial 2000
"Hi," Highway billboard, Pennsylvania
"Hi," Geffen Contemporary, Los Angeles, from Kay Rosen:
Lifeli[k]e, 1998-99
"She-Man," and "Hi," installation view, Kay Rosen: Big
Talk, Dunedin Public Art Gallery, Dunedin, New Zealand,
2004
"Linger Longer," 1999, Wynnewood, PA train station
"Leak," Galerie Michael Cosar, Dusseldorf, Germany,
1997
"9/10," L.A. MoCA, from Kay Rosen: Lifeli[k]e,
1998-99
"The Forest for the Trees," L.A. MoCA, from Kay Rosen:
Lifeli[k]e, 1998-1999
Installation views,
Kay Rosen: Lifeli[k]e, L.A. MoCA and Otis College of Art
and Design, 1998-1999
Detail, "No Noose is Good Noose," 1983-84, sign paint on
plexiglass and masonite panels, 62" x 168"
"Elvis, Elvis," wall painting, former MCA Chicago,
1994
"Silence License," wall painting (east and west views), Chicago
Public Library Mabel Manning Branch, 1995
"AIDS," 50 bus tailgate posters, Chicago, from Art Against
AIDS on the Road, 1990
"Border Piece," 1984, sign paint on wood panels,
New Museum of Contemporary Art, New York
"Areas," 2009, 2 panels each 18-1/2"x 13-1/8"
"Precipice," 2009, 19-3/8" x 13-1/8"
"Y, No.1," 2009, 10" x 8"
"Three Ships Passing in the Night," 2009, 17-1/8" x 18-1/4"
"Key," 2007-8, 13"x
22-1/2"
"Overbite," 2008, 15"x 25"
"Belted," 2008, 18-1/8"x 17"
"Haw Haw Islands with Bridge," 2008, 14"x 23"
"Go On Goon," 1987, 20" x 20" x 2"
"Tidbit," 1991, 7-1/2" x 18"
"In the Rain," 2002, 18-3/4" x 29"
"Torsos Rot," 1989, 16" x 10"
The Up and Down Paintings, 2000, each 38-3/4" x
28"
"The Ed Paintings," 1988, each panel 32" x 20"
"Tent," 2009, colored pencil, paper, 13" x 10-1/2"
"Peacock Peak, 2008," colored pencil on paper, 22-1/2" x
14-1/2"
"Ebb and Flow," 2002, ink and press type on notebook paper,
11”x 8-1/2”
"Eclipse," 2009, pencil, paper, 2 panels each 13" x 9-1/2"
From the Rooms Series, 2001, Japan color on latex paint on paper,
30-1/4"x 22-1/2"
"The Shortest Distance," 1999, pastel, snapline on wall
"Bleed," 1996, 12" x 27-3/4", marker on paper
"The Mexican Revolution," 1986, 24" x 37", sign paint on
photocopy
"S words," 1994, 13" x 19"
"Oil Shtick," 2002, oil stick on paper, 8" x 10"
"1984 Grid," sign paint on museum board, overall dimensions 70" x
44"
"On Top of Old Smokie
(Olive Grove, Red Maple, Nomad's Trail, Buffalo Grass on top of
Great Smokie Mountain), from "Kay Rosen: Collages 1999-2002," The
Drawing Center, New York + Detail
"Four Seasons," The
Suburban, Oak Park, IL, 2004
"T and Sympathy," 2001, 8" x 10"
"W," (second version) 2004, 22" x 13-1/2"
"Deaf (Bass)," 2001, 11" x 8-1/2"
"I Left Right in the Middle," 2008, 9-1/2"x 14"
"No Free Lunch," 2001, 9-1/4" x 7"
"Tending Laundry," 2001,
11" x 8"
"Bagged, 2008,
14-1/2”x 11-1/2” x 7-1/2”
"Like Trees," 2004, 10" x 14" x 1/2"
Installation views,
Kay Rosen: Collages 1999-2002, The Drawing Center, New
York, NY, 2002, and
Kay Rosen: Halfull, University Art Museum, University of
California, Santa Barbara, 2004
"Stilllife with Blue Table (Earthquake)," 2007, silkscreen print,
58.4 cm x 49.5 cm
"Pull Up a Chair," 2007, silkscreen print, two panels each 9"x
12"
"Oh, Eau," 1989/1998, silkscreened text on wall, dimensions
variable
"Palimpsest," 1991, relief etching, 25-1/2" x 19-1/2"
"The Man," 1991, etching, 25-1/2" x 19-1/2"
"Sisyphus," 1991, still from video, 7-1/2 minutes
ALL WORKS COPYRIGHT KAY ROSEN AND MAY BE USED ONLY WITH PERMISSION