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PUBLIC PROJECTS AND INSTALLATIONS
(Paint on wall, dimensions variable unless otherwise noted)

“This Means War…”, 2015, billboard, Ingleby Gallery, Edinburgh, Scotland
“This Means War…”, 2015, Mini/Goethe-Institut Curatorial Residencies Ludlow 38, New York City
“LOL,” 2014, Monique Meloche Gallery, Chicago, On the Wall
“Map of the World: Yours Ours,” 2014, latex paint on wall, Art Gallery of New South Wales, Sydney, Australia
“Map of the World: Area of Detail”
“Map of the World: Area of Detail”
“Monuments,” 2014, Kay Rosen: Blingo, Sikkema Jenkins & Co, New York City
“Cutout,” 2013, vinyl on 6 windows, Contemporary Art Gallery, Vancouver, BC, Canada
“Duck in the Muck,” vinyl on window, Contemporary Art Gallery, Vancouver, BC, Canada
“Divisibility,” 1987/2013, For the Time Being: Wall Paintings, Painted Walls, Kunsthalle Bielefeld, Germany
“Wanderful!” 2013, For the Time Being: Wall Paintings, Painted Walls, Kunsthalle Bielefeld, Germany
“Wanderful!” 2014, I Was a Double, Tang Museum at Skidmore College, Saratoga Springs, New York
“Sheep in Wolf's Clothing,” 1987/2013, Semicolon, Hyphen, Bracket, MKG127 Gallery, Toronto, Canada
"Constructed Landscape (Winter)", 2013, One Wall One Work, Barbara Krakow Gallery, Boston
"Between a Rock and a Hard Place," 2012, The Art Institute of Chicago (collection)
“Between a Rock and a Hard Place,” 2012/2013, ABCDEFGHI, Marabouparken Konsthall, Sweden
"Unconstructed (Home)," 2012, Don't Smile, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
"Kiss On the Cheek," 2012, Kay Rosen: Wide and Deep, Sikkema Jenkins & Co, New York City
"Wild Blue Yonder," 2012, text banner pulled by airplane, Plane Text, Art Basel Miami Beach
"Construction Zone," 2012-13, onsite construction project, Aspen Art Museum, latex paint on covered sidewalk structure
“Deep Beep,” 2011, Debuilding, Christchurch Art Gallery Te Puna o Waiwhetu (structure above underground museum parking garage), Christchurch, New Zealand
“Yours/Ours,” 2010, Museum of Contemporary Art, Chicago (collection)
“Go Do Good,” 2011, latex paint on brick wall, Art Loop 2011, State and Washington Streets, Chicago
“I Have a Memory of a Dream (2011-1963),” 2011, Kay Rosen: On the Off Ramp, Taubman Museum of Art, Roanoke, Virginia
“Manana Man,” 2011, Linde Family Wing for Contemporary Art, Museum of Fine Arts, Boston
“Here Are the People and There Is the Steeple,” 2012, Christchurch Public Art Gallery Te Puna o Waiwhetu, Christchurch, New Zealand
“Tent,” 2009/2011, In Other Words, Lewis Glucksman Gallery, University College Cork, Ireland
“Tent,” 2009/2010, Kay Rosen: Black and White and Read All Over, Barbara Krakow Gallery, Boston
“Divisibility,” 1987/2009, Learning Modern, Sullivan Galleries, The School of the Art Institute of Chicago
“Intersection,” 2009, Kay Rosen: You and Your Landscapes!, Klosterfelde, Berlin
“Intersection,” 2009, Kay Rosen: You and Your Landscapes!, Klosterfelde, Berlin
“Exterior, Interior,” 2006/2008, Klosterfelde, Berlin
“Removal From Office,” 2008, Kay Rosen: Scareful!, Yvon Lambert Gallery, New York
“Justified,” 2008, Kay Rosen: Scareful!, Yvon Lambert Gallery, New York
“Seascape,” 2008, Kay Rosen: Huen, Ingleby Gallery, Edinburgh, Scotland
“063” (recto and verso), In the Beginning: Artists Respond to Genesis, 2008, Contemporary Jewish Museum, San Francisco, photo: Sibila Savage
“Read Lips,” 1985/2013, Pro-Choice, Fri-Art Centre d'art Contemporain de Fribourg, Switzerland
“Read Lips,” 1985/2007, Yvon Lambert Gallery, Paris
“New Orleans 2005,” 2008, billboard, Prospect 1 Biennnial, New Orleans
“New Orleans 2005,” 2006, Kay Rosen: Wall Paintings and Drawings 2002-2006, Yvon Lambert Gallery, New York
“I Wish I Knew My Neighbor Better,” 2006, Kay Rosen: Wall Paintings and Drawings 2002-2006, Yvon Lambert Gallery, New York
“55x2,” 2005, Pierwalk, latex paint on concrete walkway, Chicago
“Hello Again,” 2006, The Language Barrier project, Spertus Museum, Chicago
“Never Odd Or Even,” 2005, Permanent Installation, Indianapolis Museum of Art; Detail
“Phantom Limb,” 1993/2011, In Other Words, Lewis Glucksman Gallery, University College Cork, Ireland
“Phantom Limb,” 1993/2006, Yvon Lambert Gallery, Paris
“Pendulum,” 2004/2008, Kay Rosen: Alone and Together, Yvon Lambert Gallery, Paris
“Pendulum,” 2004/2005, Gray Kapernekas Gallery, New York City
“Pendulum,” 2004/2010, Kay Rosen: Black & White and Read All Over, Barbara Krakow Gallery, Boston
“Halfull,” 2004, Kay Rosen: Halfull, University Art Museum, University of California, Santa Barbara
“Yellowish/Reddish,” 2004, Kay Rosen: Halfull, University Art Museum, University of California, Santa Barbara
“Blurred,” Kay Rosen: Halfull, University Art Museum, University of California, Santa Barbara, Photo: Tony Mastres
“Blurred,” 2004/2005, Kay Rosen: (No) Comment, Klosterfelde, Berlin
“Blurred,” 2004/2015, “Color Wheel,” (collection) Art Gallery of New South Wales, Sydney, Australia
“Blurred,” 2004/2007, La Parola nell'arte, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy
“Star-Spangled,” 2000, Whitney Biennial
“Mm,” 2001, Kay Rosen: Up and Down, Aspen Art Museum, Aspen, Colorado
“Sight and Sound of Music,” 2001, Game Show, Massachusetts Museum of Contemporary Art (MASS MOCA), North Adams, Massachusetts
“Go Miami/Amigo Miami,” 2002, banner, Art Basel Miami Beach, Miami Beach, Florida
“The Shortest Distance,” 2000, pastel, chalkline on wall, Ten In One Gallery, New York
“Hi,” 1997/2012, Girl Talk: Women and Text, Contemporary Art Museum, Raleigh
“Hi,” 1997/1998, Highway billboard, Lewisburg, Pennsylvania
“Hi,” 1997/1998-1999, Kay Rosen: Lifeli[k]e, The Geffen Contemporary at MOCA, Los Angeles
“She-Man,” 1996/2004; “Hi,” 1997/2004, installation view, Kay Rosen: Big Talk, Dunedin Public Art Gallery, Dunedin, New Zealand
“Linger Longer,” 1999, Points of Departure: Art on the Line, Wynnewood, Pennsylvania train station
“Leak,” 1997, Galerie Michael Cosar, Dusseldorf, Germany
Kay Rosen: Lifeli[k]e, Los Angeles Museum of Contemporary Art and Otis College of Art and Design, 1998-1999
“Various Strata,” 1996/1998-99
“9/10,” 1993/1999
“The Forest for the Trees,” 1990/1998-1999
Installation view: “Phantom Limb,” 1993/1998-1999; "The Ed Paintings," 1988
Installation view: publications and ephemera
"Big Talk," 1985/1998-1999;
"No Noose Is Good Noose," 1983-1984
“Elvis, Elvis,” 1994, Kay Rosen: Home on the Range, Museum of Contemporary Art, Chicago
“Silence License,” 1995, Permanent installation, Chicago Public Library Mabel Manning Branch, east and west views
“AIDS,” 1990, Art Against AIDS on the Road, 50 bus tailgate posters, Chicago
“Border Piece,” 1984, sign paint on wood panels, New Museum of Contemporary Art, New York

PAINTINGS (enamel sign paint on canvas)

“LOL,” 2013, 22-1/2" x 30-1/4"
“Murder Scene,” 2014, 22-1/2" x 30-1/4"
“Steps,” 2014, 40-1/4" x 30-3/4"
“Echo,” 2014, 40" x 30"
“Parrot,” 2014, 33-1/2" x 25"
“Landscape,” 2014, 47" x 35"
“E. Rigby,” 2011, 21-3/4" x 26"
“Three Ships Passing In the Night,” 2009, 17-1/8" x 18-1/4"
“Skeleton Key,” 2006, 13" x 22-1/2"
“Your Eyes Say Yes,” 2006, 22-1/4" x 16-3/4"
“In the Rain,” 2002, 18-3/4" x 29"
“Little Statuette,” 1990, 20" x 21"
“Tidbit,” 1991, 7-1/2" x 18"
“Tricknees,” 1993, 22-3/4" x 22-1/2"
“Still Life,” 1993, 17-5/8" x 23-1/8"
“Tide,” 1994, 25" x 33-1/2"
“Elvis,” 1994, 8" x 10"
Ten Paintings, 1988, each 16" X 10", Installation view, Art Institute of Chicago, 2011
“Torsos Rot”
“The River”
“Sic, [sic], Sick”
“The Ed Paintings,” 1988, each panel 32" x 20"
“Jarred,” 1986, 14" x 11" x 1-1/2"
“John Wilkes Booth,” 1987, 20" x 20"
“Edgar Degas,” 1987, 2 panels each 10" x 10" x 2-3/4"
“Go On Goon,” 1987, 4 panels, each 10" x 10" x 1-3/4"
“Without Saint Saens,” 1989, 10" x 10"

WORKS ON PAPER

“Spoke,” “Rust Colored Belt,” “Marooned,” “Backtrack,“ ”*Risk“ All works 2013-2014, 22-1/2" x 30," acrylic gouache on rough watercolor paper
“Mayhem,” 2011, 21-3/4" x 15", acrylic gouache on paper
“Africa and Asia,” 2011, 20-1/2" x 19", acrylic gouache on paper
“Bacon Club, Pancakes and Syrup,” 2011, 22-1/2" x 30", acrylic gouache on paper
“Sundress and Sandals,” 2011, 20-1/2" x 20", acrylic gouache on paper
“Tumult,” 2011, 20-1/2" x 15", acrylic gouache on paper
“Stream of Consciousness,” 2011, 20-1/2" x 15", pencil on paper
“If You See Kay…” 1998, 17" x 24", graphite on paper
“Debt Collector,” 1998, ink, gold paint on paper
“Room TA,” from “Room Series” (10), 2001, 30-1/4" x 22-1/2", latex and Japan colors on paper
“Shelf,” from “Room Series” (10), 2001, 30-1/4" x 22-1/2", latex and Japan colors on paper
“Oil Shtick,” 2002, 8" x 10", oil stick on board
“I Owe You,” 2007, 13" x 22", colored pencil on paper
“Dialogue,” 2003, 17-1/4" x 17-1/2", colored pencil, paper
“Spare Parts,” 2004, 18" x 30", colored pencil, paper
“Migration,” 2005, 18-1/8" x 20", colored pencil, paper
“Taking Charge,” 2005, 15" x 22-1/4", colored pencil, paper
“Summer,” 2005, 17-3/4" x 22-1/4", colored pencil, paper
“Classic Pairs II,” 1986, paint on photocopy, 23" x 24"
“Bam Boo,” 1985, paint, museum board, bamboo frames, overall dimensions 18" x 60"
“1984 Grid,” paint, museum board, overall dmensions 48" x 72"

FOUND

“On Top of Old Smokie (Olive Grove, Red Maple, Nomad's Trail, Buffalo Grass on top of Great Smokie Mountain),” from Kay Rosen: Collages 1999-2002, The Drawing Center, New York
“On Top of Old Smokie," Detail
“On Top of Old Smokie,” 2015, Over and Under, Sikkema Jenkins & Co, New York
“Mud Hut between Willow Tree and Apple Tree beside Rocky Road separated by Hedgerow from Copper Canyon,” 2011, latex house paint on wall, Ingleby Gallery, Edinburgh, Scotland
“Setting Plaster under Borrowed Light,” 2011, latex house paint on wall, Ingleby Gallery, Edinburgh, Scotland
“Four Seasons,” The Suburban, Oak Park, IL, 2004
“Trieste,” 2002, 7" x 10-3/4" x 3/4"
“Cowboy Nation,” 2012, 13-3/4" x 14-1/2"
“Filmore Space,” 2000, 12-1/2" x 8"
“Under and Overcooked,” 2004, 6" x 7-1/2"
“Bagged,” 2008, 14-1/2" 11-1/2" x 7-1/2"
“Like Trees, ” 2004, 10-1/8" x 14-1/8" x 1/2"
Installation view: Picturing the Studio, 2009, The School of the Art Institute of Chicago
Installation view: Kay Rosen,; Gallery 400, University of Illinois at Chicago
Installation view: Kay Rosen: Collages 1999-2002, 2002, The Drawing Center, New York, NY
Installation view: Kay Rosen: Collages 1999-2002, 2002, The Drawing Center, New York, NY
Installation view: Kay Rosen: Halfull, 2004, University Art Museum, University of California, Santa Barbara
Installation view: Kay Rosen: Halfull, 2004, University Art Museum, University of California, Santa Barbara

EDITIONS

“Y,” 2014, painted bronze, 12" x 9-1/2" x 7/8"
“Sweet Jesus,” 2012, stained glass, lead, wood, light box, 38-3/4" x 28-3/4" x 2-3/4"
“Spoof Proof,” 2012, serigraph, 22" x 21.5"
“Hi,” 2012, silkscreen printon Zerkall Butten,16-1/2" x 36"
“Pull Up a Chair,” 2007, silkscreen print, two panels each 9"x 12"
“Oh, Eau,” 1989/1998, silkscreened text on wall, dimensions variable
“Memory of Red,” 2008, two-color lithograph with embossing on Magnani litho, 26.5 x 40.6 cm
“Seascape,” 2008, one-color screenprint with embossing and relief inking on Magnani litho
“Still Life with Blue Table (Earthquake),” 2007, silkscreen print, 58.4 cm x 49.5 cm
“Cut Out,” 1993, lithograph, 12”x 15”
“Palimpsest,” 1991, relief etching, 25-1/2" x 19-1/2"
“The Man,” 1991, etching, 25-1/2" x 19-1/2"
“The Man,” 1991/2011, vinyl text on wall, Renwick Gallery, New York (Gaylen Gerber exhibition)
“The Man,” 1991/2012, vinyl text on wall, exhibition “= =” by Matt Keegan, mfc-michele didier, Paris
“Sisyphus,” 1991, still from video, 7-1/2 minutes 16
“Liszt,” 1990, one of four screen prints in “List Portfolio,” 30-1/8"x 22-1/2"
“In Lieu of Louis (1789-1870),” 1989/1996, silkscreen print, 13-5/8"x 16"

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ALL WORKS COPYRIGHT KAY ROSEN AND MAY BE USED ONLY WITH PERMISSION OF THE ARTIST